15 seconds of the heraldic mark, animated. The two unicorns trotting and circling like the venn discs, while scale, strobe and colour pulse around them. Gaspar Noé territory. Clean, structured psychedelia in the register of Gesaffelstein and Justice. No screensaver wiggle. Simple but not simple.

The two heraldic unicorns rebuilt as a 3D model, animated to overlap and circle each other in the same motion as the venn discs. Trotting in place at first, then drifting into the venn position, then strobing apart. Big, structured, repeatable. The intro becomes a signature.

Three short studies in the elevated-particles direction. Study A: void ocean, fine particles, solid black forms drifting through luminous dust. Study B: coalescence, pinpoint stars gathering to recognizable form. Study C: architectural drift, scale and density at venue size. Three 5-second loops, then we rock from there.

Photo-real used sparingly, as scenic fantasy. Light beams, weathered atmospheres, distant horizons. The image grounds the show without ever announcing itself as a render.

Sister to Scenic Fantasy. Atmosphere does the work. A monolith arrives slowly, weather pulls across the frame. Built for the build, not the drop.

A breathing gradient. Lavenders, dusty corals, warm graphite. Frame is mostly negative space, with a single luminous form at center. Slow drift, no jitter.

For moments where the show needs colour without breaking the language. A single saturated halo on a black field, with chromatic noise and grain. Earns its pop honestly.